Ananditha Reddy

 The year 2013 ended on an auspicious note for Kum. Ananditha Reddy, disciple of Guru Dr. Raksha Karthik, who finished her Rangapravesha on 8th December. Having performed in many prestigious platforms has had a very positive effect on her, resulting in a very beautiful and enthralling performance.

 Ananditha began her recital with a traditional  Pushpanjali in Bhouli raaga and the Shadakshara Mantra. This was succeeded by a the popular song of Muthuswami Dikshitar, Vathapi Ganapathim (ವಾತಾಪಿ ಗಣಪತಿಂ), which gave a whole new interpretation to this well-known Krithi. The next was the central piece of the performance, the Varnam. This Varnam is a rare composition of Ranganayaki Jayaraman, Appan Avatharitha (ಅಪ್ಪನ್ ಅವಥರಿತ್ತ) about Lord Ayyappa, who was born out of the union of Lord Shiva and Mohini, the female form of Lord Vishnu, to kill the Asura Mahishi.

 The second half of the performance began with Purandara Dasa's famous kirthana, Venkatachala Nilayam (ವೆಂಕಟಾಚಲ ನಿಲಯಂ). This piece also featured the scene from the Ramayana where, upon being touched by Lord Rama's feet, Ahalya - who was a stone till then - turned back into a woman. The Abhinaya (facial expressions) used here looked very professional. The next item in the repertoire was one of the Saptharathna Krithis of Oothukkadu Venkatasubba Iyer which has nor been seen frequently in the world of Bharatanatyam. Jataadhara Shankara (ಜಟಾಧರ ಶಂಕರ) showed Shiva, the Lord with the matted locks which hold the river Ganga in them. It was a good depiction of the cosmic dance of Shiva.

 The next piece was Mysore Vasudevachar's famous song, Ra Ra Rajiva Lochana (ರಾ ರಾ ರಾಜೀವ ಲೋಚನ), in praise of the lotus-eyed Rama. it was followed by Raghavendra Swami's Indu enage Govinda (ಇಂದು ಎನಗೆ ಗೋವಿಂದ), showing the desperate plea of Swami for a single glimpse of Krishna. The performance ended with the popular Tillana of Balamurali Krishna in raaga Brindavani. The choreography of this Tillana was different from other versions, for it included peacock-like movements, and depicted Krishna's dance among the peacocks of Vrindavan. 

 It was evident, from this program, that Kum. Ananditha has put in a lot of dedication and effort to reach this level, which has paid off well. We can also see the immense skill and creativity possessed by Guru Dr. Raksha Karthik, who has presented to the world of dance, the first of her disciples from Natanam Foundation for the Arts

  Priyanka Niranjan

 November 14, 2013 will forever remain a memorable day for Kumari Priyanka Niranjan, for it was the day she finished her Rangapravesha under the aegis of Guru Smt. Shubha Dhananjay. The stage featured an innovative swan decor, suiting Priyanka's swan-like style of dancing.The performance began with the traditional Pushpanjali and Ganesha Stuti (ಗಜಮುಖನೆ ಸಿದ್ದಿದಾಯಕನೆ ) as Karthik Hebbar began to work his magic. Next came the Alaripu in Mishra chapu taal and Jathiswaram in Kamach raaga. The Jathiswaram was full of Laasya - the graceful aspect of dance - and colorful poses which would give any good photographer a field day. 

 The next piece was a well-known Meera Bhajan - Pad ghunghuru baandh - showing the great devotion of Meera towards Krishna. This was special, not always do we get to see a song in Classical Hindustani Music adapted to the South-Indian dance form of Bharatanatyam. The main piece, the Padavarnam, was executed with strong footwork, showing all the three main goddesses of Hinduism effectively. This varnam, written by acclaimed lyricist Smt. Dwarki Krishnaswamy, also had innovative jathis woven into it.

 The second half of the performance began with Sankara Iyer's famous Shivastuti - Mahadeva Shiva Shambho (ಮಹಾದೇವ ಶಿವ ಶಂಭೋ) - which was a real test of angashuddha (perfection of lines and curves in movements). This was followed by one of the specialties of Guru Smt. Shubha, the Mayura Nrithya. Composed by famous Kannada writer K. S. Narasimhaswami, this dance showed the behavior of the peacock. Priyanka ended her performance with a traditional Tillana in Mohanakalyani raaga, offering salutations to the warrior god Muruga. The guests agreed with my opinion the this was a very good performance, paying off the dedication of Priyanka, as well as showing the great skill of her Guru, Smt. Shubha.

Ashritha Segu

  Kumari Ashritha Segu, disciple of Guru Smt. Shubha Dhananjay, finished her Rangapravesha successfully on 28th June 2013.It was a pleasant evening at JSS Auditorium. A well decorated stage with the temple of Lord Krishna standing between Two Peacocks was hinting at the special attraction in store.   With the compering of Smt. Shubha's husband Shri. Dhananjay, and her disciples Maya and Lavanya, Ashritha began the performance with the traditional Pushpanjali. The combination of adavus used were enthralling. She then proceeded to invoke the blessings of the elephant lord through the Ganesha Stuti - ಶ್ರೀ ಮಹಾ ಗಣಪತಿ - depicting all aspects of the lord, as expressions played across her face.

   Following that was the Alaripu, in Mishra Chhapu Taalam, and Jathiswara in Raga Nalinakanthi, a composition of the famous Dwaraki Krishnaswamy. Ashritha's feet moved quickly to the fast-paced Jathi's as her body moved flexibly to the requirements of the adavus. 

  The next dance was the famous Bhajan of Tulsidas, ಶ್ರೀ ರಾಮಚಂದ್ರ ಕೃಪಾಲು ಭಜಮನ, which showed a good depiction of Sita's Swayamvara, where many king (including Demon king Ravan) fail in lifting the Bow of Shiva which Lord Rama does so easily.

  The most difficult part of any Rangapravesha, The Varnam, was a piece by Raja Gopala Sharma about Krishna's antics and a Gopi's languish for him. It also showed the story of Gajendra Moksha in the midst of beautiful jathis and lovely musical background. Ashritha did not show any signs of being tired and withstood the stress of the Varnam well.

  After a long yet delightful event of felicitation of guests, Purandara Dasa's Devaranama ಚಂದ್ರಚೂಡ ಶಿವ ಶಂಕರ was performed to the fantastic singing prowess of Smt. Bharathi Venugopal. It was then followed by the attraction, Mayura Nrithya, which depicted the peacock in its movements, behavior and its ecstasy at the coming of the rain. It was also a real test for flexibility.
  The program was concluded by the traditional Tillana in Raga Dwijavanthi and Mangalam. Another one of Guru Smt. Shubha's disciples made her debut successfully.